Mario Beltran del Rio impresses in his New York debut at Carnegie Hall. He made a strong impression and he is obviously a serious artist, as his avoidance of skittish of sentimental pieces might suggest. His playing was clear, precise, beautifully in tune and altogether the result of careful planning and preparation.
More important, Mr. Beltran del Rio displayed acute sensitivity to the rise and fall of musical phrases and to the opportunities for inflection of both dynamics and rhythm.
Allen Hughes, New York Times.
Highly talented, Beltran del Rio proved to be on the road that leads great artists to success.
Die Tat, Zürich, Switzerland
After the third encore we asked ourselves how many more would be correct to ask for, but finally we restrained ourselves of politeness.
Salzburger Volksblatt.
Mozarteum,
Salzburg, Austria